OTHER





Welcoming Persones Persons
Biennale Gherdëina ∞ meets Museion

Exhibition 25 March 2022 – 12 June 2022
Press preview 25 March 2022 at 10.00am

Born from a collaboration between Biennale Gherdëina and Museion, the Welcoming Persones Persons exhibition anticipates the themes of the eighth edition of the Biennale, curated by Filipa Ramos and Lucia Pietroiusti, with a selection of works from the collection of the museum in Bolzano.

The exhibition celebrates the views and practices that unite Nature and Landscape, highlighting two complementary lines of research. The first considers the forms of legal personality and not of Nature by investigating the way in which art contributes to the recognition of the rights of the Earth; while the other is dedicated to the ancient and future memories of the routes, migration systems, seasonal movements and transhumance of people, animals, plants and materials in the Alpine region. The works selected from the museum collection respond to these themes through a variety of formal styles and artists from different generations and locations.

The graphic concept chosen for the Museion and Cubo Garutti, where the exhibition continues, underlines the cooperation between these two institutions and is the result of the combined work of Studio Hund and the artist Giles Round, both invited by the Biennale. This joint project will also continue at Ortisei with a number of works from the Museion collection displayed alongside works by artists participating in the Biennale Gherdëina ∞.

https://www.museion.it/
https://www.biennalegherdeina.it/

Installation views: Welcoming Persones Persons, Museion Passage
Images courtesy the artists, Biennale Gherdëina & Museion
Photography: Luca Meneghal








Thun Ceramics Residency, NOI – DESHAYES, FOLLY, STURLA, Museion, Bolzano
31 July – 19 August 2019

NOI – Deshayes, Folly, Sturla is an exhibition with over twenty-five ceramic works by three international artists who spent June and July in Bolzano. Each concerned with their own conditions of possibility that fired clay can hold, their work is brought together by the exhibition design of Giles Round. Four clusters of repurposed and recoloured plinths, that have previously been used in exhibitions at the Museion, become a framework that is both referencing the faded house facades of Bolzano, while having a zero waste approach to exhibition making.

Museion
Via Dante 6
Bolzano

www.thunceramicresidency.com
www.museion.it

Installation views: NOI – DESHAYES, FOLLY, STURLA, Museion
Images courtesy the artists, Thun Ceramics Residency & Museion
Photography: Gina Folly




Giles Round, ETTORE. SORRY!

Publ. Goswell Road, May 2018
ISBN 979-10-97061-10-4
Softcover (210 x 148 mm)
64 Pages
50 copies

Price: 15 €

Monograph published at the occasion of the exhibition 1967 at Goswell Road
Available here: https://goswellroad.com/



LUCY RAVEN, Edge of Tomorrow
Exhibition Catalogue to accompany Lucy Raven’s first solo exhibition in a UK public institution, Edge of Tomorrow at the Serpentine Gallery

Conceived in parallel to the exhibition, this book is a direct continuation of Raven’s working methods through its collaborative format and multifaceted structure. It brings together a series of commissioned texts, visual essays, stills, and film notes, which examine time and the image from a multitude of perspectives. The book also contains film notes to accompany a series of weekly film screenings curated by Raven, which showcase classical Hollywood and independent feature films that have inspired her artistic trajectory.

AUTHORS:
Erika Balsom, Thomas Beard, Victoria Brooks, Evan Calder Williams, Stuart Comer, Rodrigo Corral, Anna Craycroft, Glen Fogel, Arthur Jafa, Shanay Jhaveri, Andrew Lampert, Paul Marlow, Jason Moran, Kevin McGarry, Lucy Raven, Deborah Stratman, Phil Tippett

EDITORS:
Rebecca Lewin & Joseph Constable

DESIGN: 
Roland Brauchli & Giles Round

FORMAT:
Paperback
DIMENSIONS
19 x 25 cm
ISBN 978-1-908617-41-5

http://www.serpentinegalleries.org/shop/lucy-raven-edge-tomorrow





And You Were Wonderful, On Stage, Cally Spooner, 2015
Live Stream 13 February 2015

Written and Directed by Cally Spooner
Original music composition and arrangement by Peter Joslyn
Devised, arranged and performed by Rhiannon Drake, Helen Hart, Jenny Minton, Piya Malik, Rebecca Thorn and Chloé Turpin
Choreography by Adam Weinert
Set Design by Giles Round
Costumes by Malene List Thomsen
Editing by Cally Spooner

Commissioned by the Stedelijk Museum, Amsterdam, and made possible with support from the Arts Council England and a production residency at Curtis R. Priem Experimental Media and Performing Arts Center / EMPAC at Rensselaer Polytechnic Institute.

http://empac.rpi.edu



He's in a Great Place! (A film trailer for And You Were Wonderful, On Stage), Cally Spooner, 2013

Following her live musical at Tate Britain, And You Were Wonderful, On Stage, the second part of Cally Spooner’s BMW Tate Live commission transforms the musical into an extended trailer for a future film that doesn’t exist yet.

Part promise that something new will arrive, and mostly a sketch as to what this could be, Spooner’s Performance Room production finds itself situated somewhere between a rehearsal, a chat show and a promo; featuring the gestures of public figures who stumbled at a moment of liveness, a mezzo-soprano narcissist channelling public disappointment via YouTube comments, a lip-synching employee and a gossiping, absent Chorus Line.

The performance endeavours to explore the ‘making technical’ of the live; shifting the musical into a mediated, digital space, and using the web-streamed Performance Room to move between the live and the pre-recorded without clear indication of the status of either.

Stage Set designed by Giles Round

http://www.callyspooner.com
http://www.tate.org.uk